Read an interesting Guardian piece by Amina Taylor about posthumous releases today: which builds from a B.I.G single, lifted from a Marley track. Any thoughts?
I miss the profiles, particularly the 'This Much I Know' columns of Sanjeev Bhattacharya (he profiled Carlos Santana and Slash), since, of late, Alexis Petridis seems to have taken 'criticism' to new heights of settling personal scores, which makes for boring, convoluted copy.
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